"... a display of sheer artistry of a kind that must surely earn Ms Gulyak a place among the world’s great concert pianists. This was a recital of the very highest class."
Sofya Gulyak
“From the very first notes of the Gershwin Concerto Pascal Rogé was totally, physically absorbed in the music … he remained poised over the flurry of fingers and ivories like an adrenalized cat studying a fishbowl, mapping strategy”
Pascal Rogé
"A young and brilliant pianist with an impeccable technical reliability and a reading charged with the most deeply rooted musical tradition. It is not only technique, but rather judgment, and a tempo that doesn't seek the brightness of velocity, but the tranquillity of profoundness".
Ishay Shaer
“Sivan Silver and Gil Garburg's playing was close to perfection: beautifully toned, expressive and transparent, with the utmost care for details and yet with structure and great momentum. Not less exciting was the encore which yet again demonstrated their world class.”
Sivan Silver & Gil Garburg
“Weithaas plays with vigour and power, als well as a willingness to stop and smell the flowers along the way. Her playing is lush and sweet-toned.”
Antje Weithaas
"It is absolutely evident just how much joy these musicians of 4.1 experience when they perform. The ensemble 4.1 not only plays in total harmony together, but their dedication to the music and the performance is shining through every note."
Ensemble 4.1
"The finest Brahms playing one could hope to hear" - "These four instruments are like a breath of fresh air on the chamber music scene.
Leipziger Streichquartett
“in Dvorak’s G major Quartet, Opus 106……It was a joy to witness the visual communication the quartet displayed with each other……if I had to single out one movement for praise, it would be the slow Adagio, in which the quartet’s glowing tone filled the entire gallery. The exciting finale was delivered with great panache. What a great start to the season.”
Piatti Quartet
"The sound quality of this disc is simply stunning: crisp, clear, almost razor-sharp in its realistic presentation of the string sound, and the equally crisp playing of Quartetto di Venezia makes it a pleasure to hear."
Quartetto di Venezia
... a cultivated and clear sound full of tension, yet never aggressive ... an inviting clarity that permitted us to take in the music ...
Alban Berg Ensemble Wien
“In a concert where there was much to admire, it was nevertheless Janácek's Taras Bulba where the ensemble-playing caught fire . . . Bamert kept such a firm grip on the structure that the final blazing affirmation of Slavic feeling was overwhelming.”
Matthias Bamert
"The Martha Müller Concert Hall in state of emergency: with the American violinist and composer Mark O’Connor, Camerata Bern celebrated a dazzling closing of its 49th season...Camerata-concertmistress Antje Weithaas has sat down with the cellist and seems to wonder, when the last time was that Bern had applauded four encores."
Camerata Bern
ns sell in fact emotions. Therefore it is vital to know exactly what we are doing and to what end" (Isabelle van Keulen). In his inspiring masterclasses Henk Guittart showed the young Gerhard Quartet how to implement this. For example by having second violin and cello change places so that counterparts are strengthened. An exploration resulting in well-finished, confident performances of Webern's Langsamer Satz, a tasteful Haydn Quartet and Ravel's famous string quartet.
